| A VERY SEKRIT PASSPHRASE |
[Nov. 12th, 2009|10:04 pm] |
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http://journal.neilgaiman.com/2009/11/very-sekrit-passphrase.html posted by Neil
There were 38 independent bookshops around the land who had Graveyard Book parties. The people at Harpers somehow got it down to 11, and they sent them to me to judge the winner. The winner gets me for a signing in December. I watched the 11 videos/descriptions/ photos. I watched them again. I watched them yet again, this time with Lorraine, my assistant, watching too and saying helpful things like, "They are all so good. Whoo. Don't know how you'll make a decision. Look at that! They're line dancing to Monster Mash! And that Death is on stilts, isn't he. Is that a horse? A horse in a store? These are amazing." The fourth time, Woodsman Hans wandered in from the deep woods (where he is making a pond) and watched them too.
Then I made my decision. I called Elyse Marshall at Harpers and told her. "Ah," she said. "I'll have to check with the lawyers to find out if you can do that."
So we wait.
...
Today it occurred to me that in the past when I've had friends on tour, I've often done special "Neil sent me" things, where people who come from this blog get some special free thing, which a) is nice for the people who get the free thing and b) tells the person on tour that people are really coming from the blog. I did it with Thea Gilmore (who is starting a new UK tour next week. People in the UK, go and see live Thea Gilmore, for she is wonderful: http://www.theagilmore.net for dates and venues.) I've done it for The Magnetic Fields, who, incidentally, have a new album coming out on Jan 26th. And then there's the Green Goddess restaurant in New Orleans, where you can mention the "Mezze of Destruction" to tell them you came from here and get sent something wonderful to eat or drink. (It changes, depending on what chef Chris DeBarr feels like making.)
I should do it for Amanda. I called her up and told her.
She called me back. "Beth and I have put our heads together and come up with a code phrase for people from your blog," she said. "So they say it and get a special free thing from the merch table."
"Fire away," I said.
"We think they should come over to the merch table and point to this poster...  ...and say 'That chick in the yellow corset crowdsurfing looks kind of hot. I wonder if she's dating anyone?' And then they get something for free."
I said I thought that was a very bad idea, because people might say that anyway, and it was an awful lot for people to remember. And what if they sold out of that poster early that night?
I said, "What about any variant of 'Neil sent me from his blog?'"
"Absolutely not," she said. "That's boring."
I told her to leave it with me.
And then I stared at this screen glumly, with nothing happening in my head, and real work I should be doing starting to nip at my heels. So I turned to the Oracular Orb of truth at http://www.neilgaiman.com/oracle/ and I clicked on the orb and shook it.
Here is Doug Jones and some strange man it said.
If you go to one of Amanda Palmer's shows on this tour, wander over to the Merch table, and say that you found about it from some strange man's blog. And something good will probably happen. (If they just stare at you, tell them it was me, and this blog. If they keep staring tell them that the chick in the yellow corset in the poster looks like she probably has a really nice boyfriend.)
....
This seemed like a very good cause to me:
Hi Neil,
I am a long-time fan, and have even met you backstage at a Tori show (though that was many years ago!). I am writing to ask a bit of a favor.
About 10 years ago, I appeared on 20/20 with Tori, speaking about sexual violence. Since then, I've stayed close with Tori whose been a mentor of the best kind. I also started a nonprofit, Pandora's Project, that provides support, information, and resources to rape and sexual abuse survivors and their supporters. We operate Pandora's Aquarium, an online support group with more than 20,000 registered members.
Recently, I was named a 2009 L'Oreal Woman of Worth for my volunteer work with Pandora's. I was chosen for this honor from more than 2,500 applicants.
Now, one of the ten 2009 Honorees will be selected as the national honoree through a public online vote. Her cause will get an additional $25,000, and a lot of media exposure. This is the first time L'Oreal has recognized a sexual violence organization, and becoming the national honoree would allow me to shine a spotlight on this issue that affects so many women and women.
Voting is easy - people just need to go to the url below, enter their email address in the box on the right, and click the "submit vote" button. Each email address is allowed one vote, and voting ends November 24.
http://www.womenofworth.com/Honorees/Honoree2009Detail.aspx?nomid=5657c940-425b-47a2-879d-ed3c2d82b56f
I am wondering if you might be willing to send people to this voting link via your (infinitely popular) twitter or blog. I understand if it's not something you can do, but my experience running a small-budget nonprofit tells me it's always wise to ask!
Thank you for taking the time to read this.
Shannon Lambert
I'll plug it happily.
Your correspondent asks "Will you be reading the original version where the wolf actually is killed, and not the 'oh my goodness our kids can't hear about death' version in which they bring him to the zoo?"
I fear she's in error; in the original version, written by Prokofiev, Peter snares the wolf, then convinces the hunters NOT to kill it, but to take it to the zoo.
I've been researching, and that's what I found out too. Wikipedia has a list of changes made in various versions of the story (Disney, for example, had the wolf not eat the duck). But the wolf was always taken to the zoo... |
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| Radio! Books! Violin Lessons! Also, a haircut I do not mention anywhere in this blog! |
[Nov. 12th, 2009|06:00 am] |
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http://journal.neilgaiman.com/2009/11/radio-books-violin-lessons-also-haircut.html posted by Neil
Went in to KNOW radio station in ST Paul today and recorded an introduction to the NPR MORNING EDITION "Open Mike" piece I've been recording on audiobooks, and heard the edit. Asked them to see if they could find a bit more time in the piece for Audible founder Don Katz, who did an amazing interview and was pared down to about a sentence in the current edit. It'll go out in the next ten days, and as soon as I know when it goes out I'll put it up here. I talk to David Sedaris, Martin Jarvis, Don Katz and veteran audio producer/director Rick Harris in it.
Also popped in to DreamHaven and signed a bunch of books. The piles of books have grown so high, and the administration was proving so hard for Greg now that he is a one-man operation that I'm no longer personalising books there. But lots of signed books now in for the Holidays at DreamHaven's Neilgaiman.net site.
Spent much of the rest of the day driving around, being a dad, taking a daughter and her friend to violin, all that normal sort of stuff, and listening to Martin Jarvis's Good Omens audiobook as I did so. I'm about half-way through it now. It makes me so happy, especially hearing Adam Young read in something sort of close to Martin's Just William voice. Weirdly, I found it easier to hear what I wrote and what Terry wrote than I could if I looked at the text (which I discovered a few years ago, when I proofread the Harper Collins edition). The text is a bit of a blur, after all these years, but listening I'd find myself going, "Me... Terry.... Me in first draft, Terry in second.... Terry in first draft, me in second.... My footnote to his bit.... His footnote to mine..." feeling vaguely like an archaeologist. Even spotted a couple of tiny continuity goofs we should have caught 21 years ago that I may call Terry about and correct in future editions.
(She has an East Coast Tour on right now -
11.12 Portland, ME
11.13 Northampton, MA
11.14 Brooklyn, NY (SOLD OUT)
11.18 Philadelphia, PA
11.19 Falls Church, VA
11.20 Carrboro, NC
11.22 Knoxville, TN.
Go see her in concert. She's a wonder live. Tell her I said hi.)
Hi Neil,
I just read about your event in January, where in you will be narrating Peter and the Wolf. My husband and I are over joyed by this. We will hopefully be bringing our three girls up to see the performance. We did have one question though. Will you be reading the original version where the wolf actually is killed, and not the "oh my goodness our kids can't hear about death" version in which they bring him to the zoo? We are both, obviously, really hopeful that being you, and not afraid to scare children (thank you for that btw) will be speaking the true to the story version in which Peter shoots the wolf and then his dead body is paraded through the town as a trophy.
Thanks for your time,
~Cecily
PS- Do you know if there will be tickets for the event or the reception afterwards? It will be a long drive, and it would be nice to be prepared for either staking out seats all day or having tickets in hand. (We could not find any reservation information on the website)
I'd forgotten - or never knew - that there was an alternative version. The script I was sent is the Zoo version. I'll investigate...
And no, I do not know about tickets. I will find out.
Dear Neil,
Your Web Goblin offered to post photos of Coraline pumpkins, and when they were told this, my 8 and 11-year old daughters decided to make some. Here they are, along with 2 emoticon pumpkins and a turnip.
http://www.steampunkfamily.com/wp-content/uploads/2009/10/IMG_01521-300x225.jpg
I used them to illustrate a ghost story: http://www.steampunkfamily.com/2009/10/philomenas-fright/
Three of the four of us were Coraline characters for Halloween. (The 11-year old went her own way as Susan Sto-Helit.)
http://www.flickr.com/photos/37435081@N03/4077708519/sizes/l/in/set-72157622616148613/
The Other Mother is the scariest thing I've ever been for Halloween. All the children (even the 4-year olds!) knew who I was, and I elicited much nervous laughter when I offered to sew buttons in their eyes.
Thank you for being VERY SCARY INDEED
I love how many families were Coraline families, this year.
If, like me, anybody else was intrigued by your mention of Kenneth Grahame's other works and wants to read them with a minimum of searching, they'll be happy to know both 'The Golden Age' and 'Dream Days' are available for free on the always invaluable Project Gutenberg:
http://www.gutenberg.org/etext/291
http://www.gutenberg.org/etext/270
Thanks for mentioning them in the first place; I'm always interested in children's lit of that time that has managed to slip through my net.
- B. Bolander
What a good idea. Two very beautiful, gently funny books by the author of The Wind in the Willows. I really enjoyed them, but stylistically they are, well, out of fashion, and will not be everybody's cup of Edwardian tea. Here's a passage that describes the illustration I put up yesterday, as small children steal through the house on a midnight expedition to obtain biscuits (ie cookies, if you are American):
The Blue Room had in prehistoric times been added to by taking in a superfluous passage, and so not only had the advantage of two doors, but enabled us to get to the head of the stairs without passing the chamber wherein our dragon-aunt lay couched. It was rarely occupied, except when a casual uncle came down for the night. We entered in noiseless file, the room being plunged in darkness, except for a bright strip of moonlight on the floor, across which we must pass for our exit. On this our leading lady chose to pause, seizing the opportunity to study the hang of her new dressing-gown. Greatly satisfied thereat, she proceeded, after the feminine fashion, to peacock and to pose, pacing a minuet down the moonlit patch with an imaginary partner. This was too much for Edward's histrionic instincts, and after a moment's pause he drew his single-stick, and with flourishes meet for the occasion, strode onto the stage. A struggle ensued on approved lines, at the end of which Selina was stabbed slowly and with unction, and her corpse borne from the chamber by the ruthless cavalier. The rest of us rushed after in a clump, with capers and gesticulations of delight; the special charm of the performance lying in the necessity for its being carried out with the dumbest of dumb shows.
Once out on the dark landing, the noise of the storm without told us that we had exaggerated the necessity for silence; so, grasping the tails of each other's nightgowns even as Alpine climbers rope themselves together in perilous places, we fared stoutly down the staircase-moraine, and across the grim glacier of the hall, to where a faint glimmer from the half-open door of the drawing-room beckoned to us like friendly hostel-lights. Entering, we found that our thriftless seniors had left the sound red heart of a fire, easily coaxed into a cheerful blaze; and biscuits—a plateful—smiled at us in an encouraging sort of way, together with the halves of a lemon, already once squeezed but still suckable. The biscuits were righteously shared, the lemon segments passed from mouth to mouth; and as we squatted round the fire, its genial warmth consoling our unclad limbs, we realised that so many nocturnal perils had not been braved in vain.
"It's a funny thing," said Edward, as we chatted, "how I hate this room in the daytime. It always means having your face washed, and your hair brushed, and talking silly company talk. But to-night it's really quite jolly. Looks different, somehow."
"I never can make out," I said, "what people come here to tea for. They can have their own tea at home if they like,—they're not poor people,—with jam and things, and drink out of their saucer, and suck their fingers and enjoy themselves; but they come here from a long way off, and sit up straight with their feet off the bars of their chairs, and have one cup, and talk the same sort of stuff every time."
Selina sniffed disdainfully. "You don't know anything about it," she said. "In society you have to call on each other. It's the proper thing to do."
"Pooh! YOU'RE not in society," said Edward, politely; "and, what's more, you never will be."
"Yes, I shall, some day," retorted Selina; "but I shan't ask you to come and see me, so there!"
"Wouldn't come if you did," growled Edward.
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| Network Maintenance: Saturday, November 14, 2009 at 04:00-06:00 UTC/GMT |
[Nov. 11th, 2009|02:00 pm] |
EDIT@08:16 UTC/GMT. Wow. That was ugly. I expected it to go for 30 minutes and have maybe 1 minute of broken connectivity. Instead it lasted over 4 hours and we had 10 minutes of downtime directly related to the load balancer upgrades and then another 5-10 minutes of downtime when our primary Pingback database server crashed and the secondary couldn't take over; which could have been indirectly caused by the network upgrade missing a self-VIP.
Anyways, we're up, we're working, the load balancers are barely breaking a sweat right now and I need some food and a shot of whiskey. I don't even *like* whiskey!!
Thanks ![[info]](http://l-stat.livejournal.com/img/userinfo.gif) mhwest and dnewhall for helping out!
---
On Saturday the 14th at 4AM UTC/GMT we will be upgrading the operating system of our network load balancers to a newer version, one that will allow us to use both CPUs! Nifty, because multiprocessing is nice.
Since we have 2 load balancers, the plan is to upgrade 1 at a time, and there really should be very little impact to our website. Hopefully you won't notice a thing and I'll get to go back to the hotel and watch some wonderful late night infomercials.
We've got a lot of exciting projects coming up for 2010 and we're hoping that we'll be able to deliver them all to you, that you will find it useful/cool/lovely and then you will use the site even more. Behind-the-scenes work like this will give us the capacity to handle the anticipated traffic, so expect a few more maintenance windows especially in the beginning of next year as we've got some neat ideas to improve performance around here! We had the recent 30-45 minute outage yesterday due to one of our logging databases filling up disk space -- not so great design coupled with my human error in handling the initial problem -- and it looks like we're going to finally have some resources to eliminate stuff like that. I can't wait!
As usual, I will be updating status.livejournal.org before and after, just in case you are not able to reach our main website during the work. |
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| The Murder Re-Enacted |
[Nov. 11th, 2009|02:21 pm] |
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http://journal.neilgaiman.com/2009/11/murder-re-enacted.html posted by Neil
The Graveyard Book just won a literary award, which never gets old, and this one came with a medal, and also with a cheque. I thought, Hm. I have to get myself something with the cheque and I have to do it immediately, otherwise it will simply vanish into the day to day bank account of life, and I will never look at anything and go "Ah, that is the thing I got with my Graveyard Book Award."
So I bought this. It's "The Murder Re-Enacted": It's an E. H. Shepard illustration (he's most famous for illustrating Winnie the Pooh) from Kenneth Grahame's book The Golden Age. Kenneth Grahame wrote The Wind In The Willows, the story of Mole and Rat and Badger and of course, Mr Toad, also illustrated by Shepard.
I once read an essay by A.A. Milne telling people that, of course they knew Kenneth Grahame's work, he wrote The Golden Age and Dream Days, everybody had read them, but he also did this amazing book called The Wind in the Willows that nobody had ever heard of. And then Milne wrote a play called Toad of Toad Hall, which was a big hit and made The Wind in The Willows famous and read, and, eventually, one of the good classics (being a book that people continue to read and remember with pleasure), while The Golden Age and Dream Days, Grahame's beautiful, gentle tales of Victorian childhood, are long forgotten.
If there is a moral, or a lesson to be learned from all this, I do not know what it is.
Right. Off to K.N.O.W. St Paul to record the intro bits to my NPR piece on Audio Books, and I will play the Martin Jarvis-read GOOD OMENS on the car CD player all the way there.
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| half a lifetime? |
[Nov. 10th, 2009|05:49 pm] |
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http://journal.neilgaiman.com/2009/11/half-lifetime.html posted by Neil
The editor at CBS Sunday Morning asked if I had any photos of my son Mike back at the period when I first had the idea for The Graveyard Book - late 1985. I looked. We really didn't have any. I wandered next door and asked Mary (his mum, my former wife and for these last five years my friend and next-door neighbour) if she had any photos from back then. "No," she said. Then, "Do you mean those transparencies? I have them in an envelope somewhere." She vanished and came back with a large manila envelope from a long time ago. "Here."
Half a lifetime ago -- literally -- I was nearly 25, and working for magazines. Henry Fikret, who photographed a lot of the interviews I did, volunteered to take some photos of me and my family, and he did.A week later the envelope arrived, and I realised that everything he shot was on colour transparencies -- like huge slides -- and I was never sure what do with them, other than being fairly sure I couldn't take them down to Boots the Chemist and have prints knocked out. So they stayed in their envelope, and they kept their secrets, and were forgotten.
Yesterday I had the transparencies scanned, and finally got to see lots of pictures I had never actually seen before of Holly as a baby, Mike at the time that I would have watched him riding his tricycle around the graveyard, and me... at exactly half my age: A young journalist who had sold a very small handful of short stories and two non-fiction books, with dreams of writing fiction and comics. At the time I was dressing in grey, but was getting tired of the way that you would buy something grey and take it home and discover that it was a blueish grey or a brownish grey, and wondering if I'd have the same problem if I just started to dress in black.
And half a lifetime on, it seemed like it might be good to put one up here. I checked, and Mary didn't mind. What odd clothes we wore back then. What big glasses. And look, my hair is practically normal.
So long ago, and it went like the blink of an eye.
...
Birthday wishes are flooding in from around the globe. I wish I could reply to everyone personally, but it would take the next 365 days... so thank you. Thank you all.
... In January I will be part of a free concert for all ages on January 16, 2010, at 7pm, in the World Financial Center Winter Garden, New York. I'll be the narrator for the performance of Peter and the Wolf, performed by the http://www.knickerbocker-orchestra.org (whose website you should visit to get details).
Alan Moore is leaping aboard the Underground magazine bandwagon. Following the success of IT and OZ, Alan's Dodgem Logic is coming out. There's a great interview with Alan at http://www.mustardweb.org/dodgemlogic/
(And enormous congratulations to Alan, who is now a grandfather, and to Leah and John, who are now parents, and Edward Alec Moore-Reppion, who is now, um, born. A Scorpio, like his grandfather and his whatever-exactly-I am, sort of honorary great-uncle or something. Not that we Scorpios believe in that sort of thing, of course.)
Again, thank you all for the birthday wishes... |
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| For those who read this blog for the articles |
[Nov. 9th, 2009|06:31 pm] |
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http://journal.neilgaiman.com/2009/11/for-those-who-read-this-blog-for.html posted by Neil
 (Serena Altschul and some author in July, sitting on the trampoline after two days of interviews. None of which, oddly enough, were done on the trampoline.)
Mr. Neil,
I DVR'd yesterday's installment of Sunday Morning and after zipping through it back and forth multiple times cannot seem to find you, though the description indicated the correct episode. Was it bumped to next week? Have you been sucked into an alternate Neil-less universe?
A concerned reader,
Mary
I'm afraid it was bumped by the Fort Hood Massacre.
I checked: The profile CBS did of me is apparently still going out, probably some time in December, although no-one seems certain when. I was told that we could help ensure that it is broadcast (and possibly make it come out sooner than December) if CBS think people would actually like to see it. Which means that if you do want to see it, you can help the process along if you write or email CBS and (politely) tell them so:
ADDRESS:
CBS News Sunday Morning
Box O (for Osgood)
524 West 57th St.
New York, NY 10019
E-MAIL: sundays@cbsnews.com
...
My friend Steve Brust (a fine and brilliant novelist) wrote to Miss Manners about his financial issues, and what having a Donate button on a website means. She replied to him here. There's a fascinating conversation going on about it at his website that I initially missed because I was in China... Most people disagree with Miss Manners. Even I disagree with Miss Manners, and I don't have a Donate button, or use the Amazon links to generate revenue, or have advertising or anything. (That's because Harper Collins set up this website, and they pay for our bandwidth and such. If they stopped, I'd have to think about ways to make it pay for itself.) ...
Stephen King's UNDER THE DOME was one of my favourite books of the year so far. (R. Crumb's retelling of the Book of Genesis is my very favourite book of the year.) So I was pleased to be sent this link to a really wonderful Stephen King poem:
(It's published by Playboy, which means that for some of you the site may be blocked.)
(Needless to say, I only read the New Yorker for the articles.) ...
Dear Neil Gaiman, I ask for half-a-moment of your time (I would not presume to ask for more). This Spring 2010 I am teaching a Topics in Literature class on YOU at Winona State University (Eng 225: Neil Gaiman). Easy enough to select representative novel (American Gods), short stories (Fragile Things), children and YA (Graveyard Book), but here's the rub: I will likely only assign one Sandman graphic novel to students. I have been debating which is most representative, most worthy of inclusion, most amenable to class discussion and student scholarship. Then I thought I'd ask you. I know you suggest above that, for questions of this sort, we consider you a dead author, but I know you're not. When I came to a similar impasse about which of Ursula Le Guin's works to include in another class, she actually replied and offered her input. I extend the same offer to you: which of the Sandman volumes would you like to see on the syllabus?
Thank you for your time,
Nicholas Ozment, English Instructor
WSU
It's a hard one. I think if I were teaching I'd either go for Season of Mists or Fables and Reflections, because both of them have stuff to teach -- those nice chewy bits that people can like or dislike, argue with or discuss. I know a lot of teachers like to teach Dream Country because a) Midsummer Night's Dream won awards, and b) it's short and c) it has a script in the back. Your call. And good luck.
...
I mentioned recently that there were some beautiful new Polish and Russian book covers for my books that I'd seen at signings, which got me thinking. The International Cover gallery on this website is incredibly out of date.
It's at http://www.neilgaiman.com/p/Neil's_Work/International_Covers.
And though I get a lot of foreign editions in, and will at some point head down to the basement and rummage around and scan some (this week's mail brought the two-volume Japanese edition of Anansi Boys, on the cover of which Fat Charlie is not only Very White, but also Very Thin, and the complex Chinese - ie. Taiwan and Hong Kong - edition of The Graveyard Book) I thought that blog readers, being, as you are, all over the world, might be a better resource for knowing where to look for foreign covers.
So if you have, and want to scan in or link to foreign covers we do not have posted, or are a foreign publisher and would like your books up, there is now a submission page: http://www.neilgaiman.com/extras/covers/ which lets you upload them to the webgoblin, who will put them in the gallery (and on the pages for the books in question). And perhaps we should have them arranged by country as well -- some countries, like the French and the Russians and the Poles, have had so many different covers over the years. (Also, Absolute Death was published this week. It is amazingly beautiful. Yes, I think they overpriced it too and no, pricing decisions at DC Comics are nothing to do with me. And the audio book of Good Omens will be released tomorrow. It's read by Martin Jarvis. People have asked why it is not read by me, and I have to explain that it is because if I read it I would just be doing my Martin Jarvis reading the William storiess impression, so better by far to have the real thing.)
Was your basement finished when you purchased your home or did you have it finished for your basement library? If you finished it yourself, how difficult was it? Also, I thought I saw a dehumidifier in one of the Photosynth pictures. Do you need one because of the books?
I'm asking because we have a full unfinished basement that we would like to have finished. We are running out of room for our books also. I don't think we don't have as many as you do though. :)
Any other suggestions for such a project would be greatly appreciated!
Thanks,
C.
No, when we got here the basement had a clay floor that puddled when it rained. We hired some nice builders and spent a lot of money finishing it, putting in drainage tiles, underfloor heating and all. There's a dehumidifier there in the summer and a humidifier in the winter, because after the first few years I noticed that binding glue and leather book covers were both cracking and flaking. There's now the equivalent of a large house in basement rooms beneath this house, filled with books and CDs and suchlike stuff.
And finally, a few photos from the China trip, taken by Ian Ford (or in one case, on his camera). Ian's a travel guide who now lives in China who helped organise my travels, and came along with me for part of the journey.
 Amanda and I in the silk clothes that my publisher had given us as a thank you for coming, and because they are terrific.
 Amanda, Ian Ford (in the pale top, also a gift from my publishers) and.. my publishers, SF World -- who will be publishing the mainland Chinese edition of The Graveyard Book very soon, and are very excited.
I'm holding the Galaxy Award for this year, given to the foreign author most popular with Chinese reader-voters. This was my second year of winning it, so I have retired from the competition and said that they have to find a new favourite foreign author now.
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